The Artistry of Armani
By: Marsha Bentley Hale
Giorgio Armani: A Retrospective of Fashion Floating on Invisible Mannequins
Royal Academy of Arts, London (18 Oct 2003 – 15 Feb 2004)
Exhibition Sponsored by Mercedes Benz
Additional Support provided by American Express
(Installation view of Giorgio Armani at the Solomon R. Guggenheim Museum, New
York, 20 October 2000 - 17 January 2001; Photo: Ellen Labenski ©SRGF, NY)
LONDON, Nov 8, 2003/ FW/ --- The elegance and artistry of Giorgio Armani: A Retrospective
evokes a command performance at The Royal Academy of Arts in their new exhibition hall, Burlington Gardens.
Walking through a controlled maze you pass through carefully planned spaces emphasizing themes of daywear,
ultrafeminine, ethnic, minimalism, black and white, light (spring/summer 2000) and Hollywood.
It is an exhibit of approximately 400 garments outlining the range of Armani’s design
abilities.
Scattered throughout are examples of his sketches --- graphite to paper, the birth of ideas,
which clothe men and women around the world.
The presentation is minimalist with stone colored carpet and sculptures of thin wire
cascading from the ceilings to the floor with silken spider-like light shows sliding
down to the ground.
At the top of the entrance stairs and upon entering the Hollywood space there are flat
screens with projections of fashion shows and movies highlighting Armani’s designs for
the glamorous consumer and fictional characters.
His love of theatre and cinema is apparent.
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