Leonard: A Work of Art
By Mari Davis
(Photos by Javier Mateo)
PARIS, Mar 10, 2003/ FW/ --- The Parisian House of Leonard is known for prints, the same way that the Italian
House of Pucci is. The difference is that Leonard doles out flowers and people, while Pucci
is famous for geometric prints.
Leonard's prints are done very similar to the way that Japanese artists paint their screens.
So, at the Leonard show last Saturday at the Espace Ephemere Trocadero, the front row is
populated mostly by Japanese retailers and press.
When the music played and the spotlights were lit, they were not disappointed. As expected,
the collection was based on floral prints and people's faces.
There was the chrysanthemum and the lotus flowers on coats, mini-dresses, parka jackets and
arm warmers.
These prints were lauded by a warm applause by the audience. And if you are familiar with the
history of Japan, the applause was not surprising.
The royal family of Japan is known as the Chrysanthemum throne, and the symbol of the Emperor
is the lotus flower.
As the models continue to walk on the runway, and you become familiar with the prints, the
impeccable tailoring and precised cut of the clothes become evident.
The kimono was turned into a warm coat, with shearling as a warmer. The little black dress
was also a print of black on black, still the signature House of Leonard flowers.
The skorts, mini-skirts, jumpsuits and dresses draped on the model's body, emphasizing
the female form.
The result is sensual without the overt sexuality. And if you are fan of Leonard,
you will say that this collection is a success.
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