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Martine Sitbon Spring 2002
Paris Prêt-á-Porter Spring 2002

Martine Sitbon: Simply Poetic
By: Karin Nelson
Photos by: Gruber-FWD
Click on image to see bigger photo.

Paris, Oct 7, 2001/ FWD/ --- Like love, fashion can sometimes be all about timing. Such was the case with Martine Sitbon’s Spring 2002 collection, staged Sunday night, just as news of America’s initial attacks on Afghanistan began to filter in.

Solemnly, a patient crowd awaited the show’s start - a sea of journalists dutifully doing their job but wanting nothing more than to return to their hotel rooms and turn on CNN.

Needless to say, minds were on more serious matters of life and death, rather than ruffles and flounces.

Which is why as the room darkened, monasterial music began, and girls, pale-faced and ghost-like, ethereally drifted out in pale, old-world looks, it felt comfortable and welcoming to an audience willing appropriately to escape reality for a moment.

Easy pieces – a delicate man’s shirt, wide trousers, a dirndl skirt, a shapeless, broken-in suede jacket, pleated camisoles, long and loose dresses detailed with smocking or cinched with a simple strip of leather – breezed by in nude colors; everything bathed in a timeless look of antiquity.

Sometimes blurring masculine and feminine lines, Sitbon sent out soft pieces paired with men’s suiting. A ribbed, light-weight sleeveless sweater was worn under a dark vest and pinstripe trousers. A waiter’s jacket was thrown over a soft-spoken camisole

For evening, the palette changed to black, gold and coral, with beautiful, meticulous beading lending a nonchalant air of elegance. At times, gold tinsel was added to the embellishments in the prettiest, most charming of manners. Soft, silk dresses that had been a bit shapeless for day gained structure with beaded, diamond-shaped belts with knotted ties in back.

Closing the show wistfully were a couple of dresses embroidered in front with a big butterfly. The last look, a backless gown in pale rose, had the antennae of the butterfly gracefully wrapping around the neck to create a halter.

It was a collection so simply poetic, so acutely appropriate that the crowd did something they rarely ever do – stood up and applauded the designer, who appeared only momentarily from behind the curtain.

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Martine Sitbon Fashion
Martine Sitbon Fashion

Last updated October 10, 2001 fashionwindows.com,Inc© 1997-2008

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