Tracy Reese: Reese's Pieces
By: Eri Kim
Photo below: Tracy Reese on the runway, Fall 2007.
Photo by Giovanni Pucci
NEW YORK, Feb 1,2002 / --- Daddy's-little-girl-gets-cool-with-a-little-Diana Ross-and-Marisa
Berenson-circa-1972-thrown-in is how designer Tracy Reese describes the theme for her Fall 2002
collection.
Happily, what sounds schizophrenic and a tad pretentious translates into an array of voluminous
maxi skirts, dresses and little sweaters that make the mouthful worthwhile.
One simply cannot argue with a signature look based on a black, silk-cashmere halter-dress with
floral print, full skirt and ruffled hem, and a black granny shawl and cap.
"Stores look flat without some great skirts," says Reese, dressed in a vintage patchwork skirt and
see-through black blouse, at her Manhattan showroom. "I love the idea of getting back to the
feminine. You know, some cool, pretty clothes."
She concedes that the full silhouette is not necessarily the easiest to wear, but points out that
after "seasons of looking at each other's tummy," women will be "excited" to see new shapes and
styles.
"And for fall, the volume will be less extreme and I think that's when women will be confident
to buy the items," she says.
It's confidence that keeps this Detroit-born designer poised under fall collection pressure -
and in the current market.
"The fall collections are always tough," Reese, 37, admits, "because there's very little time
between September and February. But I can't wait [for Fashion Week]," she continues excitedly.
"I am inundated with work but I wanted to make a statement with this show, I wanted to show a
strong collection. New York has to be exciting now."
Considering today's economic climate, however, "exciting" could be quite risky. But Reese, who has
designed her eponymous label for six years and the diffusion line "plenty" for four, thinks her
company is "in a good market for the current consciousness.
It is fashion but at the same time our clothes offer great value to the customer," she points out.
She tries hard to keep her clothes under $300, explaining, "I have a hard time dropping big bucks
for clothes myself. I want my customer to be able to buy something she likes when she sees it
without having to think if she can afford it or not."
And there's a certain creative freedom Reese is allowed by keeping her prices low. "It allows me
to take chances because for, say, $100, a customer will take chances with an item as well," she
remarks.
Reese's adventures in design began with a summer program at Parsons School of Design as a high
school student. She returned to Parsons for her degree, and started on a smooth career path upon
graduation.
She worked for Arlequin when Martin Sitbon was designing and later joined Perry Ellis at the
behest of a Parsons classmate, Marc Jacobs. Not that there weren't bumps along the way. Reese's
experience also included a failed attempt at producing her own line at age 23, and designing
bridge-wear for five years.
Reese gives a hearty laugh when reminiscing about her first solo attempt. "I was so sure I was
ready," she recalls. "I had the energy, but not the experience."
When the opportunity presented itself again, though, Reese had the "creative confidence" to jump
on it. Since then, she's made a name for herself with her flirty, perfect slip-dresses and well
crafted blouses which are sold at select stores including Bergdorf Goodman, Saks Fifth Avenue,
Scoop as well as stores in Europe and Asia.
Her dresses have been worn by the likes of Oscar-winner Mira Sorvino and newcomer Carla Gallo.
This fall's collection builds on that theme of sophisticated whimsy, relying on a palette of dark
colors mixed with subtle pastels and some bursts of intense color.
Reese has been around long enough to know how the industry is trending, predicting, for example,
that "brown will peak this fall along with fabrics that suits it so well like tweed and suede,"
and that knits are on the comeback trail.
In a business that often favors flavor-of-the-minute designers over steadily paced talent, that
makes Reese something of an anomaly. And that suits her just fine.
"I feel very passionate about slow growth," she says. "When things happen overnight - what do you
have to draw on the following season? It's scary if you don't know how you became successful."
"Having said that all," she continues with a sly smile, "of course you want the glamour. That's
what fashion is about - you've got to have the icing on the cake."
Click on image to read the review and view the collection.
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