Christian Dior Haute Couture Spring 2001
Paris Haute Couture Show Spring 2001
Christian Dior: Yabba Dabba Dior!
By Godfrey Deeny
Photos by FW
PARIS, Jan 22, 2001/ -- Call it Cartoon Dior. Recently, the house has taken inspiration from bag ladies, trailer trash
and S&M weddings, so why not something a little more prosaic for spring/summer 2001 - comic books.
To be more exact, designer John Galliano looked to continental cartoon strips to find fodder
for Dior's haute couture collection, shown Monday at the Academie des Beaux Arts on a drizzly
day in Paris.
A psychedelic, multi-colored Cadillac (circa 1957) greeted the well-heeled guests who stepped
unsteadily around puddles on their way in to the Academie.
The show opened with a storm, staged
with the sound of booming thunder and bolts of lightning reflected off a 50-foot wall.
The collection was divided into four tribes: punks, rockers, housewives and squaws. First came
10 beautiful punkettes, wearing eyeglasses and decked in deconstructed, parachute-like jackets
that morphed into sexy, semi-transparent skirts worn over fishnet stockings.
Sure the clothes were all over the place, but they had great sex appeal.
They also neatly
highlighted a new Dior book bag in black suede embellished with a small patent number 2.
As usual with Galliano, the show began late. Dior patron Bernard Arnault didn't even take his
seat until 5:45PM, 45 minutes after the show was scheduled to begin.
But few were tawdrier than
singer Gwen Stefani, who got some angry glances when she scurried in to the front row more than
halfway through the show.
Madame Helene Arnault gave the No Doubt singer a particularly icy glare.
Judging from the next look - six housewives wearing giant tent dresses printed with images of
suburban activities like gardening, cleaning and cocktail hour - Galliano has a low opinion of
married life.
Rock chicks, on the other hand, excite the designer.
To the tune of Destiny's Child's "Independent Woman," Galliano sent out 10 sassy rocker
groupies dressed in sequined Dior jackets and fringed bodices.
Has the divide between the pristine, grand dames of Dior's front row and Galliano's
backstage couture chicks ever looked so wide?
As two large Dior logos lit up on the runway's backdrop, Galliano's fourth tribe of sultry squaws
appeared, many of them wearing dresses with single shoulder straps and bare breasts.
Some of these squaws donned cartoon-print sheepskins, while others wore Comanche suede skirts.
Calling Kate Hudson: If you're thinking of Almost Famous II, Dior has the clothes for you.
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