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 Buy John Galliano fashion

Christian Dior by John Galliano
Spring 2002
Paris Prêt-á-Porter Spring 2002

Christian Dior à la Americana
Written by: Godfrey Deeny
Photos by: Gruber & Jennifer Graylock-FWD
Click on image to see bigger photo.

Paris, Oct 9, 2001/ FWD/ --- John Galliano’s recent collections for Christian Dior have been obsessed with United States icons, but the collection he showed Tuesday in Paris was simply bursting with zany references to them.

Ten gallon hats, basket ball tops, highway signs, sporting bandanas and even an Elvis Presley suit made it into the Dior Spring/Summer collection, which had enough sharp clothes new accessories to keep the cash registers at Dior healthy.

Since arriving at Dior, Galliano has turned a venerable but jaded label into a hip and financially happy luxury house. This collection will keep it on its upward course.

Were an American to have shown this collection in New York, especially in the current context, it would have smacked of jingoism. But in Galliano’s madcap hands, the show reminded us of the optimism and happy indulgence of the American dream.

Entitled "Street Chic," the collection opened with some tempting negligee looks, but injected with humor by being paired with tulle tops and riveted boots. Galliano, who spawned last year’s obsession with camouflage, did not shy away from military looks on Tuesday.

A platoon of sensational hats by John’s favorite hatter, Stephen Jones, were made of mosquito nets swirling around exaggerated cartridge belts.

With "Viva Las Vegas" blasting from the speakers, Galliano earned a burst of applause for an Elvis suit bearing a giant sequined Memphis sign on one shoulder and a Highway 66 one on the other.

Under Galliano, Dior has branched into swimwear in a major way, and today’s show contained some bikinis in Mexican prints and a patchwork print of what looked like holiday postcards. Worn under oversized python trench coats, these little numbers had the local French clients’ noses twitching. Indeed, the leathers were formidably well-crafted throughout, especially the woven leather bombers and snakeskin jackets.

Pat McGrath made up the models like angry China dolls with white faces and black lipstick, which looked agreeably bizarre when eight of them donned Texas Ranger hats spouting various plumages.

However, though a positive pasticcio of Americana, this collection might upset a few people. With the dust still settling in New York and Kabul, it seemed an oddly incongruous gesture to send out women in sarouals and Bedouin headgear while mixing Moorish music into the Dobbie Brothers’ "Without Love."

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano

Christian Dior by John Galliano
Christian Dior by John Galliano


Last updated October 10, 2001 fashionwindows.com,Inc© 1997-2009

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