Donna Karan Fall 2001: Post-Nuclear Donna
New York Fashion Week Fall 2001
By Godfrey Deeny
Photos by FW
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NEW YORK, Feb 16, 2001/ FW/ --- Good news for the politically-inclined woman with a global view: You will still be able
to dress well after the nuclear Holocaust.
Donna Karan's energetic fall collection was entitled Bohemian Luxe, though its clientele
-- urban loft-dwelling tribe people -- are clearly not tight for a buck.
However, the
choice of fabrics -- ravaged lace, patchwork shearlings and crushed gauzy wool -- had
more of the feel of survivor chic.
Perhaps it's not such a pity the Pentagon will finally
get to build their defense shield.
This sort of post-attack fashion definitely looked
enticing.
With LVMH fashion honcho Yves Carcelle sitting front-row, the runway felt more than a
little like a first exam under Donna's new owners. Judging from his cheery expression
after the show, Carcelle, who oversees all of LVMH's ten fashion brands, will bring a
golden report card back across the Atlantic to his boss Bernard Arnault.
Pre-show Donna was far from sanguine.
Half an hour before the first guests were allowed
in, the designer was flipping out. "I can't deal with this lighting. Bring it down," she
screamed before executing several last-minute changes in accessories.
Karan opened with a score of outfits in black, many of them outstanding. Her one-shoulder,
asymmetrical jersey dresses and shearling wraps were sexy and fresh.
Donna broke new
ground with complicated cocktail dresses featuring ruched jersey tops that morphed into
flared chiffon or leather lace slips.
At times, things got a little bulky.
Donna even managed to make lithe, incandescent beauty
Isabeli look chunky in wrapped elk riding pants -- a considerable achievement.
And several
twill biker jackets would be better off in a thrift shop than in Donna's latest New York
store, scheduled to open next spring.
Her finale of nearly 20 bronze and gold dresses in vicuna that were alternatively stained,
molded and waxed, summed up Donna's achievement of balancing the new with the
post-apocalyptic -- perhaps prompted by her stock's slow meltdown.
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