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Marc Jacobs Spring 2003
New York Fashion Week Spring 2003

Marc Jacobs Ushers In a Seismic Shift
By: Godfrey Deeny
Photos by: Gruber-FWD

Click on image to see full photo View slide show

NEW YORK, Sep 18, 2002/ FWD/ --- Better reset your fashion compass.

The needle that has pointed permanently to Milan and Paris as the nerve centers of fashion for the past century, shifted a couple of degrees last night at the Marc Jacobs catwalk show in Manhattan.

It wasn't that the clothes in themselves were some unexpected paradigm, but rather that the combination of a brilliant collection and celebrity gridlock in the front rows and aisles marks Jacobs' shows as the premiere draw on the global fashion calendar.

Aisles did we say, well yes.

So many stars thronged around the custom-made tent on Ninth Avenue that Benicio del Toro ended up crouching on aluminum steps.

Outside, hundreds of handsome kids pleaded for passes into the high-security show with a head-spinningly glamorous front row - Sandra Bullock (looking pretty amazing), Hilary Swank, Marianne Faithfull, Zoe Cassavetes, Christy Turlington, Sandra Bernhard, Ali Larter, Kyra Sedgwick, Jennifer Tilly, Wes Anderson, Anna Sui, Deborah Harry, Helena Christensen, Chad Lowe, The Donald with Melania Knauss, plus musicians Nick Rhodes, Usher, Chilli of TLC, Thurston Moore and others to numerous to mention.

But the biggest flashbulbs were reserved for Puff Daddy, who descended from a Hummer H2 with a petite Kelly Osbourne.

Clearly all this razzamatazz would amount to a mound of used buttons if the clothes weren't any good.

As it turned out, they were great.

In a break with tradition, Jacobs, who tends to prefer newer upcoming faces on his catwalk, sent out a hit parade of mega stars - including Gisele, Eva, Shalom, Bridget Hall, Amber Valetta, Carolyn Murphy and Michelle Hicks.

His look was ladylike yet edgy, with cashmere cardigans in sherbet colors and tiny bows, high-waisted, to-the-knee satin skirts, broken boucle wool Chanel-like suits, and calico Capri pants worn with silk wrap coats.

Think the astronauts' wives at the final political rally in "The Right Stuff."

Jacobs' low-cut lacy tops and dresses in pink and beige will be widely copied, as will his slip dresses and curvy cocktail numbers with snazzy silver straps.

Bridget Hall smoldered in a black slip with pink trim, while Shalom glowed in one look as the soundtrack roared out L.A. band X's guitar-jangling punk.

"I was thinking of Cindy Sherman self-portraits, the photography of Richard Kern and Russ Myers' "Faster Pussycat Kill! Kill!" Jacobs told FWD backstage, waving his hands to indicate that he had lots of other influences besides these.

Creative types love Jacobs because of his inventiveness and curiosity.

His fashion, like so much modern art and music, references earlier eras, but he always gives it his own spin, so the end result is refreshingly honest.

He may not be fashion's most inventive designer or its greatest tailor or even creative leader, but no one has his finger more firmly attached to fashion's pulse.

Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs

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Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs

Marc Jacobs
Marc Jacobs


Last updated September 18, 2002 fashionwindows.com,Inc© 1997-2008

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