LONDON, Sep 19, 2006/ FW/ --- At a moment when fantastic prints are ubiquitous on London’s catwalks, Paul Smith retracted from using his distinctive patterns. Instead, Smith’s Spring 2007 collection invokes a casual ‘Americanness,’ opting to create vivid patterns by mixing colors in a single look rather than a single garment.

Needless to say, this casualness was derived through a heavy nod to menswear. There was a series of loosely fitting blazers in navy, seersucker blue and pastel pink.

Tan trousers reminiscent of men’s chino pants were worn cuffed over loafers in an array of pastel colors. The loafers stood as some of the show’s standout pieces.

Sumptuous knit cardigans and vests were paired nicely with silk flowing skirts and men’s cotton dress shirts. To maximize the effect, boxer shorts were worn by some of the models, peeping out at the waistline of trousers and pleated shorts.

Eveningwear was sparse, consisting of a few silk dresses that were breezy and casual, yet beautifully to the point. It is almost certain that the lavender floor length gown with the double-strand belted waist will be making its rounds during the spring awards show and film festival circuit time.

The show was built around separates that would work well with one another or nearly any garment already in the wardrobe that needs a splash of color. Maybe that’s the ploy behind Smith’s lack of prints.

In a season, where prints are being displayed in overabundance, Smith’s separates would be perfect for creating a pared down, yet fashionable look.

Paul Smith

Paul Smith

Paul Smith