But her romanticized future was not conveyed with garish metal adornment or odd geometric silhouettes. Le Fay's clothing possessed a charm best described as beautiful melancholy, a sensation frequently waxed nostalgic about or imagined in an era yet to come, bet very rarely found in the present.

With Bjork's "Venus as a Boy" painting the perfect aural landscape, Le Fay's vision of purity unveiled in a color palette of mostly black and white.

A gorgeous snow-white empire waist dress with long sleeves and a round neck moved lightly along the runway while a more savvy short lapel jacket and full wrap skirt added a breezy feel to stuffy business wear.

A chiffon apron dress with an open back and tie closures was awkwardly finished with a short jacket and wool cropped pants. The contrasting elements proved a bit jarring and possibly a tad too futuristic for contemporary tastes.

Subtle additions of color were presented in a deceptively intricate tropical print that added wispiness to the light wool material.

Two particularly stunning evening gowns in scarlet red were quite seductive with a hint of restraint. The stand out piece was a full feather skirt, complemented by a simple tank top that left the entire audience in awe. The fullness of the feathers' provided a fresh twist to the billowing skirts currently dominating the runways.

Le Fay's minimalist approach begs not be tampered with by over-styling or over-accessorizing. The only adornment required by Le Fay is a sense of inner serenity possessed by the wearer. Oh, and maybe flat, metallic clothe boots inspired by the Uggs of the future!