Paris Menswear: Trendspotting
Paris Menswear Show Fall 2003
By: Karl Treacy
Photos by FW
PARIS, Jan 31, 2003/ --- The fall 2003 men's wear shows drew to an official close
Tuesday in Paris, and while there have been few overwhelmingly strong trends, there were
certainly notable threads weaving through the collections.
Military:
Military trends in Paris were subtler than those in Milan, concentrating more
on the historical influences of Napoleonic costume.
At Dries van Noten this translated into fitted tailcoats, while at Dior Homme, Hedi
Slimane cut his jackets ever so tight, with armor-like seaming on one jacket that came
with edges outlined in sequins.
For the finale, Slimane's models wore dark khaki jackets with frogging at the shoulders.
Xavier Delcour, who also cuts close to the body, showed razor-sharp double-breasted
officers jackets in black with silver buttons.
The Trouser Conundrum:
The world is still no wiser as to how a man braving a chilly morning next November will
be dressed from the waist down.
Likely very few will be outfitted in Gaultier kilts.
The other choices are easy and flat-front with a flare (Delcour, Kenzo, Dirk Schonberger)
or Flashdance-leggings tight (Dior Homme, Louis Vuitton).
For the indecisive, Raf Simons and Rykiel Homme offer slim with a bit of volume.
Knits:
Knitwear wasn't a major story in Paris, but when it did appear it was generally in 3-D form.
At Rykiel, sweaters were composed of a large cable knit.
Gaultier featured large knits with decorative closures, and a novel and softer take on
the military look.
The French designer also sent out oversized mohair sweaters that, for the catwalk, came
cinched with waistcoats.
At Dirk Schonberger's show, fine sweaters came chicly slashed, allowing a peek at the
colored T-shirts underneath.
Straps:
The military mood took on an S&M vibe at Dior, where harness-like leather straps and
stays dangled from pretty much everything.
At Delcour, long leather fringe graced most outfits as well.
Helmut Lang's straps came as part of his cut-away flying suit look, and Schonberger
kept military and aviation looks light, with an extra-long decorative, gray fabric
epaulette hanging from the shoulder of a skinny sweater.
Asian Wraps:
It wasn't a major look, but it popped up in a couple of collections, notably at Kenzo
which tapped into an Asian theme which saw a long brown wool kimono jacket and wrapped,
double-breasted jacquard coat with Mao collar.
At Rykiel, soft pinstripe coats and long cardigans were wrapped and secured with brown
leather belts.
Padding and Perfectos:
Injecting a sense of softness into some collections (notably Dior's hard-edged and
leather-soaked offerings), came padding on sleeves and shoulders.
Some of Kenzo's coats were lightly padded, while biker jackets were sleeveless at Margiela,
fitted and pocketed at Dior.
At Paul & Joe and Raf Simons, the look was comfier when cut from shearling.
Hermès did the look ultra-luxe in black lizard.
Piecing:
Arcs of color swept across suit jackets at both Comme des Garcons and Y's by Yohji Yamamoto.
Margiela pieced together different-colored sweatshirt fabrics for a pair of drawstring
trousers, and super-imposed small jeans in one color onto larger jeans in another to come
up with a new pair of pants.
Prints and Patterns:
Raf Simons borrowed from the archive of British graphic artist Peter Saville for the
prints on his hooded sweatshirts, and Paul Smith was inspired by Kandinsky and the
Russian Constructivists in his prints and sweater patterns.
Rykiel used a shar pei or a tree silhouetted against a somber skyline for T-shirt prints,
while Yohji Yamamoto is out to brighten up those dour months with suits drenched in floral
imagery.
And at Hermès, Veronique Nichanian looked back to the '70s to re-use scarf prints of golf
clubs and blown-up horses' heads on a sexy range of silk twill shirts.
Jewelry:
While the odd chain dangled from the neck at Raf Simons, it was left to Yamamoto
and Dior to load up on the stuff as important parts of their collections.
At Yamamoto, models playing character parts had wrists dripping with bracelets and
knuckle-duster rings that extolled the virtues of being a "PIMP."
Hedi Slimane at Dior Homme left his simple solitaires and heraldic pins behind and gave
his reed-thin models more metal around their fists than Edward Scissorhands.
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