Mannequin Facial Expressions: 1940s
By Marsha Bentley Hale
Photo below: This figure by La Rosa conveys a strength of character coupled with a debonair flair, an image common in male mannequins produced after World War II.
Photos courtesy of Mannequin Museum Archive
Nov 7, 1999/ FW/ --- Between the late 1930s and mid 1940’s, the female characterization ranged
from the "woman of the world" to the "American pert and perky doll" to the "vision of purity"
to the somber and concerned woman waiting for the return of her husband from the war.
After World War II, male mannequins showed greater strength of character.
The La Rosa male, with a dash of debonair, looked as if he were back to dominate the household.
Young women, on the other hand, appeared wide-eyed and expectant.
The late 1940s brought a siege of “happy-go-lucky” and relaxed men; in fact so much so that
one was even yawning. How often does one see a yawning mannequin?
Between the late 1940s and early 1960s, there was a great deal of experimentation with
new materials.
Fiberglass and cellulose (a heavy-duty form of papier-mâché) mannequins were produced
concurrently.
During the late 1940s, for the worldly-wise father figures that sometimes even “smoked,”
the texture of cellulose added to their manly and often chiseled looks.
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