The Cloning of Mannequins in the Year 2000: Ethnicity
By Marsha Bentley Hale
Photo below: Mannequins by Adel Rootstein
Photos by Tom Massey
Mar 26, 2000 / FW/ --- In my rainy run near the Marienplatz, I spotted a group of ethnically
diverse mannequin children.
They reminded me of the ads by the Italian clothing group, United Colors of Benetton. There
was a little Asian girl with straight, chin length, black hair, a light skinned, little black
boy with a unique mop of a hairdo, and a little Caucasian boy and girl with short blonde hair.
Diversity among mannequins, politically correct.
The history of various ethnic mannequins is still sparse.
In the Mannequin Museum archives, there is a photo of a black male mannequin from the mid
1920’s standing on a back street in Paris France. He is plump, very dark skinned, rigid in posture more of a caricature.
The earliest black female mannequin in the archives is standing in a store window in Detroit,
Michigan. A hand painted sign in the window touts her as being the first colored manikin.
She is light skinned with a slightly broad nose.
Edward Maedar, fashion curator and historian guessed her to be from circa 1935, by the style
of her dress.
Gene Moore, known for his exquisite displays at Tiffany’s told me he believed there had once
been a manufacturer of black mannequins in Harlem New York. Documentation of this has not been
yet found.
The Mannequin Museum continuously seeks new information regarding the history and development
of all nationalities of mannequins.
Maybe now, that United Colors of Benetton has reached agreement to sell Formula One racing
team to French Auto group Ranault, they will want to fund research of the various ethnic
mannequin.
Then again, maybe Michael J. Sayler, founder and CEO of Micro Strategy will make the Mannequin
Museum archive part of his Online College.
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