Human Expressions Etched in Video
By Marsha Bentley Hale
Bill Viola: The Passions
The National Gallery, London 22 Oct. 2003 – 4 Jan. 2004
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Bill Viola: The Passions – J. Paul Getty Museum
LONDON, Dec 10, 2003/ FW/ --- Bill Viola has drawn inspiration from the Old Masters, etching
human expressions in slow motion video with a musical quality that echoes the emotional
vocabulary of the collective consciousness of humanity.
Bill Viola: The Passions (2000-2002), presented at the J. Paul Getty Museum, brings the
sophistication of video art to a new level.
It is the birth of a new video vision, a translation for the MTV generation and others to
better understand and identify with the master’s paintings that many would be intimidated by
or feel were too removed from their worlds.
Viola asked a team of actors to draw from their inner souls the deepest emotions for his camera;
it is as if they are in another dimension, another reality.
Originally filmed in 35mm at high speed, the images were transferred and edited in high
definition video, using projection formats of various sizes.
As a result Viola captured emotions in motion in a form of video portraiture with a sculptural
quality.
This achievement is an evolution from video art’s inception in the early 1970’s when Viola first
forged ahead in this new territory.
He has worked with international compatriots such as pioneer Nam Jun Paik, known as the father
of video.
Jun Paik was a visiting professor at University of California Los Angeles in the late 70s when
as a student I spent late evenings in the studio creating my first video art pieces on reel
to reel, black and white video machines.
Jun Paik encouraged assignments designed to stretch the meaning of time and space.
Viola carries on this exploration. Since the 1980’s his museum installations have turned
galleries into media environments using video, sound and sometimes physical objects.
Born in New York he was attracted to California in 1981 because of the prominence given to
video art at Long Beach Museum of Art.
Viola’s collaborator and executive producer is his wife Kira Perov, arts administrator and
talented photographer.
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