Human Expressions Etched in Video
By Marsha Bentley Hale
Bill Viola: The Passions
The National Gallery, London 22 Oct. 2003 – 4 Jan. 2004
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Emergence
LONDON, Dec 10, 2003/ FW/ --- Viola’s current work draws from the sorrows and pain of life,
birth being a major wall of pain, death the final curtain.
Viola, Bill; Emergence, 2002
Bill Viola Studio, Long Beach, CA; © Bill Viola. Photo: Kira Perov
Commisioned by the J. Paul Getty Museum and the Getty Research Institute, Los Angeles
[Color High-Definition video rear projection on screen mounted on wall in dark room, 200 x 200 cm]
Emergence inspired by Tommaso di Cristofano’s Pieta 1424, is a piece with religious overtones,
a silent emotional video story of the marble-like vision of a Christ figure being born from a
well of water.
On either side of the well, two women who are at first distant, connect and acknowledge the
other as the water emerges with the Christ figure in his silent waves of birth and death.
As the work undulates in a surrealistic biblical flow the two women lay him to rest wrapping
him in a shroud.
This piece takes patience to view; it is not for one in a 21st century hurry.
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