MILAN, Sep 28, 2006/ FW/ --- From Hawaii to the South Pacific, Rifat Ozbek took inspiration from the Polynesian culture turning out modern Maori princesses and citified hula dancers via graphical representations of the lush tropical islands in the Pacific.

Stylized palm leaves prints in black & white, golden and silver representations of the tribal Polynesian markings; it was the social set’s Merry Monarch Festival as they donned minis and hot pants, muumuus and pantsuit sets that had been reworked for the metro girl.

The hula dancer became a girl going to a cocktail party wearing an empire mini dress with square neck, the skirt made of ostrich feathers instead of the traditional palm leaves.

The bird of paradise was turned into a golden print adorning a mini shift dress, the muumuu took two different reincarnations, one with giant hibiscus prints on a floor-length frock perfect for lounging, the other a multi-layered evening gown in gold and silver.

Directional and coherent, Rifat Ozbek’s interpretation of the Polynesian costume as modern day dresses and gowns showed respect and reverence to the beautiful islands of Hawaii and South Pacific.

That a lot of research was done to create this collection is obvious; that the modern interpretation and reworking of the traditional costume was impeccable was done with a masterful hand.

Still, Rifat Ozbek’s artistry and talent as a designer is the main reason why this collection stands out as one of the best for the season.

Pollini by Rifat Ozbek

Pollini by Rifat Ozbek

Pollini by Rifat Ozbek

Pollini by Rifat Ozbek