Fendi Fall 2003
Milan Womenswear Show Fall 2003
Fendi: Karl's Wild Ride
By By J.J. Martin
Photos by FW
MILAN, Mar 5, 2003 / --- "It's neo-Renaissance armor mixed with sportswear," said Karl
Lagerfeld backstage at the Fendi women's show Monday in Milan.
Is there no end to the depths of this man's imagination?
Most designers looking back to the past get mucked up in retro copies.
Not Karl Lagerfeld.
This latest collection, rooted in Renaissance principles, is a wild, futuristic ride in
an intergalactic space ship.
The models sauntered thoughtfully along a water-lined runway, their dewy faces glistening
in silver and rose shimmer.
They were ethereal and romantic, but there was nothing remotely sweet about these girls.
In fact, they were downright power-protected in shrouds of silver-plated leather and piles
of leather-bound fur.
Shrunken jackets and skirts, sometimes stenciled and quilted, shone in iridescent leathers
and were often covered in additional layers of leather cut-outs, or cinched up with mini
corset belts.
The colors, inspired by Titian, were magnificent.
Silvery pinks, varying shades of lilac and bronzed periwinkle were soft and beautiful,
while deep rubies and aubergines added an edge to the mix.
The colors shone best on skintight pants or itty-bitty satin skirts, as well as on the fur
jackets that are signature Fendi territory.
Here, Lagerfeld zoomed to the moon.
If price were no option, everyone would want a ballooned chubby with rows of jewel-colored
Mongolian fur, or a leather cape with shaved mink sunburst rays.
Lagerfeld still kept things wildly futuristic and regal-looking.
An olive mink coat, vacuum-packed into iridescent plastic with leather banding and sprouts
of goat ribbons, or Yeti boots covered in flowered mink, aren't your average winter coverage,
but they sure looked cool.
Any respectable Renaissance court dweller would have her gown followed by yards of train.
But Lagerfeld's not convinced you actually need the gown.
His long trains of colored paillettes slung low on the waist and followed behind satin hot
pants and fitted ski parkas.
Long satin dresses, when they did appear, followed the mix of flat and shiny with slashed
fronts and graphic cut-outs on the sides.
Normally Fendi doesn't give two figs what you're wearing before 8pm, if it's not bound in
leather or cascading in feathered fur.
This season, though, Lagerfeld also delivered some more casual long-sleeved dresses with
graphic color blocking that were several notches below the usual glitz and added quieter
moments to an overall kick-in-the-pants collection.
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